REVOLUTION ON MY MIND

I felt so rootless in my own country. Why? Where are the leaders they told me to look upto? Disillusioned, I started rummaging for culture in my street. I found some coke bottles, cigarette butts, stinky condoms and blood stained sanitary napkins torn to shreds by the street dogs. I saw a boy crying and I thought I should lift him up but I was always so aware of the lurking dangers of reacting to anything. So i left him crying there. I tried forgetting what I couldn't. And look what I did! I forgot what was never intended to be forgotten. And now I ache to remember my mother's face but I catch broken glimpses of her features. We had lived together in a moving box. So when they moved us into the open, the wind caught all the pictures and lost them all into that damned big city. Now I live in an unknown space and I don't know who these people are. But I can sense myself in them sometimes. So I invite them in for a drink. And we perform rituals to juice out our respective pasts. We try to articulate our disillusions. We re-remember and sometimes rediscover some lost pictures under the heaps of plastic and tears gone cold.

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sensitive beautiful evocative! an important document of current Indian youth, their struggle, their stand on spirituality, a very political film but not directly so. A revolution, a music, a marginalised movement. The fate of the film is sadly so unsure right now because of the classic problem of devaluation of this film by old-school big daddies of distribution, marketing and the distorted multiplex culture in India which predictably snuffs out anything new/ contemporary/ different/ intelligent/ honest….if you know where am at. if its not artificial, slick, predictable, underestimates the audience’ intelligence and completely safe and apolitical, AND NOT A DOCUMENTARY!then its not worth running or being promoted by the media conglomerates! The trailer does not do justice to the film…make sure you get a dekko at this one. About Indian Ocean

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Sebastian Silva’s THE MAID

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Aki Kaurismäki’s ARIEL

1988

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                           Philippe Diaz’s  THE END OF POVERTY

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